En este artículo se revisa el lugar que ocupa Eckhart en L’essence de la manifestation, a fin de establecer correspondencias y afini­dades entre el místico renano y la peculiar concepción que de la fenomenología sostiene Michel Henry. Se trata de analizar la es­trecha cercanía entre el alma humana y Dios postulada por Meister Eckhart y su vinculación con la conocida noción de Vida presente en el autor francés. Henry es proclive a fundar una filosofía primera asociada a la pura autoafección, (...) describiendo la Vida sea como pura inmanencia, sea como una ipseidad algo problemática. En general, el trabajo teórico de los representantes del “giro teológico de la fenomenología francesa” (Janicaud) cuestiona al sujeto clásico de la Modernidad, sin por eso traer a colación la causa de un Dios Revelado ni el que resulta de una teología natural. Este trabajo, en suma, no es el esfuerzo de pensar a un Dios confesional ni tiene un propósito evangélico. Lejos de ello, se trata de precisar el nexo entre Henry y Eckhart, puesto en escena por aquél, y si tal nexo es coherente con lo que Henry piensa acerca de un modo de manifestación que ya no implica distancia fenomenológica alguna: la manifestación del pathos de la Vida. (shrink)

The Timaeus is the dialogue that was for many centuries the most influential of Plato’s works. Among its readers we find Descartes, Boyle, Kepler and Heisenberg. In the first division of Timaeus Plato deals with the theory of celestial motion, in the second he presents us with the first mathematical theory of the structure of matter. Here, in a gigantic step forward with respect to the preceding Democritean atomistic theory with its unalterable micro-entities, he introduces the intertransformability of elementary corpuscles (...) and with that the first “chemical” reactions in history. Plato’s geometrical interpretation of Empedocles’ elements and his geometrical atomism is described at the molecular, atomic and sub-atomic level. The “chemical” reactions reported in Timaeus are written in the enlightening chemical symbolism, analogies with modern chemistry are noticed throughout. (shrink)

Feminist scholars have been remaking the landscape in political theory, and in this important book some of the most important feminist political theorists provide reconstructions of those concepts most central to the tradition of political philosophy. The goal is nothing less than the construction of a blueprint for a positive feminist theory.Many of these papers are completely new; others are extensions of important earlier work; two are reprints of classic papers. The result is a progress report on the continuing feminist (...) project to re-envision traditional political theory. As such, it constitutes essential reading not only for feminist thinkers but also for traditional philosophers and political theorists, who will need to come to terms with these contemporary critiques and re-readings. (shrink)

Promotreno iz etimološke perspektive, Petrićev Sretan grad, objavljen između Utopije T. Morea i La città del Sole T. Campanelle, crpi svoje polazište i ključno značenje upravo iz etimologije nazivka ‘sretan’. Taj nazivak sadržava dvojnost, koja je poslužila Petrićevoj zamisli: kao što se čovjek sastoji od duše i tijela, tako se dvojnost uočava i ponavlja u raznim strukturama grada-države. S jedne strane felice znači ‘produktivan’ i ‘uspješan’, a s druge strane pak ‘sretan’ te kod Petrića i ‘blažen’. Stupnjevanje u razumijevanju sreće (...) kod Petrića znači da je njegov grad-država uspješan i blažen, pa se sudjelovanje svih staleža društva sagledava u okviru praktičnog organiziranja društvenog života dvostruko sretnog grada.This paper deals with the etymology, and consequently with the meaning of Frane Petrić’s Happy Town : written after Thomas More’s Utopia and before Tomaso Campanella’s The City of the Sun, Petrić’s Happy Town has its datum-point and key meaning in the etymology of the term felice. This term contains the duality constantly pointed out in Petrić’s conception: since the human being consists of body and soul, the duality is noted and repeated through various structures of this town-state. The term felice means ‘productive’, ‘successful’, ‘happy’, and it has to do with Petrić’s concept of ‘blessedness’ as well. The gradation of the meaning of the term felice explains the fact that Petrić’s town is successful-happy and happy-blessed. All the social levels are part of the productiveness > blessedness process of Petrić’s twice Happy Town. (shrink)

Il saggio approfondisce l’opera di due artisti fondamentali degli ultimi decenni, ovvero Antoni Tàpies e Bill Viola. La loro produzione artistica riesce a sfuggire alla condanna che Th. W. Adorno fa di tutti quei movimenti che rimettono in questione il concetto di arte e la nozione di opera. Questi due artisti salvano lo statuto dell’arte nella società post-industriale, vale a dire in un momento in cui le trasformazioni profonde del sistema culturale rischiano di minacciare la sopravvivenza della creazione artistica, come (...) se la razionalità estetica non potesse che abdicare davanti alla razionalità strumentale. Sono pochi i pittori che come Antoni Tàpies riescono a infondere alla materia inanimata un’irradiazione e una capacità di evocazione tanto intense, mentre per Bill Viola tutte le opere d’arte rappresentano cose invisibili e la stessa tecnologia digitale non è altro che una forma più pura per avvicinarsi a quelle realtà non fisiche e non visibili che stanno sotto alle cose visibili del mondo. La scommessa di Tàpies e Viola riguarda la sopravvivenza dell’arte nell’universo mercantile di una società sempre più amministrata e sottoposta agli imperativi economici; la loro produzione pare mirata a renderci consapevoli della nostra mortalità, offrendo immagini in grado di mettere in connessione la dimensione sensibile e quella spirituale, il visibile e l’invisibile, aprendo lo spazio a una trascendenza che sembrava completamente svanita. (shrink)

En este artículo se analiza la noción de fenómeno saturado en el pensamiento de Marion, pero, ante todo, y relacionado con dicho fenómeno, el tipo de sujeto que corresponde a la afectación saturante. La discusión se centra en la superación de la figura del Yo trascendental, y de la Modernidad en general, para dar lugar a un sujeto disminuido, a una diminutio ipseitatis, debida fundamentalmente a una iniciativa que, alega Marion, no proviene tanto del sujeto afectado, cuanto del fenómeno que (...) lo afecta. Desalojado de su formidable centro, el sujeto kenotizado emprende una clase de recreación bastante peculiar, la cual consiste en el conjunto de respuestas que habrá de ofrecer a la densidad del fenómeno mencionado. El sujeto se recibe de lo que recibe. En una hermenéutica sucesiva que retoma la afectación, tendrá que hacerse cargo del golpe de lo dado, es decir, de aquello que lo afecta, pero no exactamente de la manera como afectan los objetos a un sujeto cognoscente. A la pregunta de Nancy “¿qué viene después del sujeto?”, hay que responder sin ninguna hesitación: el sujeto, empero ahora disminuido en su capacidad creadora de mundo a través de la síntesis trascendental: l’adonné, el adonado. (shrink)

The paper aims at highlighting what the author considers to be the most significant philosophical articulations of Shakespeare’s Hamlet, whose power of attraction is largely conditioned by his own obscure nature. Starting from the reading of some famous interpreters such as Bonnefoy, Cavell, Girard, Schmitt and Vygotsky, through the themes of revenge, silence, and the collapse of values, it is emphasized how, in the drama, the acceptance of death becomes a sign of the indifference of the world and therefore of (...) the insufficiency of meaning. In particular Hamlet’s statement “I don’t know it seems”, is explained by the fact that his world is completely different from that of others. This expression should be seen, then, as a kind of preliminary description of his general way of perceiving things. Starting from the famous scene of “theatre in theatre”, and in a constant confrontation with Adorno’s aesthetics, the article aims at pointing out the different ideas of theatre that face each other in the drama. The idea of theatre supported by Hamlet, however, based on the size of the logos, is not at all the one adopted by Shakespeare, since his style is based on the immoderation, the excess and the irruption of the pathos. Hamlet is not even the place for that extreme act of faith that emerges at the end of King Lear: here hopes are shattered over a world totally abandoned to nonsense. For this reason, the only possibility of redemption is offered by “being ready” rather than by “being mature” as professed by Edgar. (shrink)

Este trabajo, desarrollado en el contexto del giro teológico de la fenomenología francesa, reflexiona sobre la significación de la Vida en Michel Henry, Vida y pasividad que no resultan de la volición de un sujeto moderno que parecería haber sido hoy superado. Estamos en los umbrales de una filosofía primera que no deja absolutamente de lado la intencionalidad de otrora, así como su carácter activo en la donación de significado, pero subordina ambos a un fundamento primero, único e irreductible: la (...) Vida. Hemos titulado este trabajo Gloria de la pasividad puesto que, en efecto, el ego no aparece como el artífice originario de la constitución del mundo, de sus significados y de sus idealidades. Una pasividad primitiva del sujeto antecedería al ego constituyente de la fenomenología clásica, una pasividad viejísima, que no cabría, sin lugar a duda, en ninguna memoria. No hemos querido, sin embargo, introducirnos al pensamiento de Henry sin antes darnos una idea de lo que significa la pasividad del sujeto reflejada en algunas líneas de Marion, cuya comprensión se da en el marco de una fenomenología de lo invisible y de una fenomenología abierta al exceso de evidencia. (shrink)

The paper proposes a new understanding of the notion of “aura” as it emerges, including similarities and differences, in the aesthetic thought of Walter Benjamin and Theodor W. Adorno. In particular, the paper shows how, not only in Adorno but already in Benjamin, such a concept designates also the capacity of artwork to refers, by its own internal, to an irreducible otherness. In this perspective, in a world increasingly dominated by a tendency to homologation and mercification – with the resulting (...) identification of art and cultural industry –, contemporary art looks like a continuous oscillation between the will to deny aura and, other times, the awareness of its necessary survival, closely related (in particular, according to Adorno) to the recognition of the need to “save” not only the appearance but also, by that very fact, the aesthetic autonomy. (shrink)

Examples are given of applications by Pauling, Mulliken, Marcus and G.E.Kimball of the three Pythagorian means to formulate the scales of electronegativity of the elements, to the calculations of rate constants of electron transfer cross-reactions, to the calculation of the observed rate constant as function of activation and diffusion rate constants in the case of mixed reaction-diffusion rates and to the calculation of the effective diffusion coefficient in solution of a salt AB as a whole from the diffusion coefficients of (...) the ions in which it dissociates. (shrink)

Professor Rudolph A. Marcus, recipient of the 1992 Nobel Prize in Chemistry, is a distinguished theoretical chemist. Two important theories happen to bear his name: the Rice Ramsperger Kassel Marcus theory of unimolecular reactions and the Marcus theory of electron transfer reactions. When considering Marcus’ work, one finds characteristics of it that bear striking similarity to those that can be found in the work of some famous scientists. Such characteristics appear then as common recurring patterns in the work of theoreticians. (...) Among them we find the following: the creation of new theories, driven by experiments that preceding theories were unable to explain; the use of thought experiments; the generalization and extensions from one realm of science to another; the making of predictions and the finding of new properties from correlations among series of data; the use of variational principles; the providing of different demonstrations of an equation; the introduction of new types of coordinates; the innovative capacity to use, by somehow recreating it under the pressure of the physical problem, a mathematical method previously unknown to the author; and finally, the presentation of formulations of the same theory in different mathematical and physical languages. Before discussing in some detail the above points, a brief description of Marcus’ work is first presented for the convenience of the reader. (shrink)

This essay shows how, in Shakespeare’s Antony and Cleopatra, the relation between the protagonists can be seen as an insurmountable contrast between two different cultures – on the one hand, the “diurnal” and “rational” culture of Rome and, on the other hand, the “nocturnal” and “passionate” culture of Egypt –, but also as an opposition between two different ways of understanding the relation between illusion and reality, appearance and truth, and thus between theatre and life. More specifically, what emerges is (...) the awareness that art, embodied in Cleopatra’s beauty, constantly reminds us of the unredeemable finitude and transience of the human being, who is inevitably immersed in time. In this light, if art is able to become a manifestation of truth, the fact remains that such truth, as final sense, is something that art can “show”, but only to indicate its perpetually elusive character. It is indeed a truth which, like the indecipherable secret kept in the Mausoleum, cannot be “told” or “represented” once and for all. (shrink)

The essay proposes a notion of “icon” understood, according to the paradigm born of the Second Council of Nicaea, as a visible image of the invisible qua invisible. In this light, the distinctive feature of the icon-image is its ability to manifest the paradoxical identity-difference relationship that links visible and invisible, and, consequently, representable and unrepresentable, immanence and transcendence, eternity and time. By offering itself as the privileged place for the presentation of an absence and of a “withdrawal”, the icon (...) is distinguished in the first place by its apophatic and kenotic character. In this sense, the salient trait of the icon is its constitutive disquiet: it is founded on the “relational economy” of the image, which implies the need of an incessant articulation of the relation between visible and invisible. We can thus see in the icon the paradigm itself of “great art”: indeed, like the icon, great art is always primarily characterised by its disquiet, that is its ability to make transcendence appear in immanence, the Other of the visible appear in the visible. (shrink)

We propose that the sudden emergence of metazoans during the Cambrian was due to the appearance of a complex genome architecture that was capable of computing. In turn, this made defining recursive functions possible. The underlying molecular changes that occurred in tandem were driven by the increased probability of maintaining duplicated DNA fragments in the metazoan genome. In our model, an increase in telomeric units, in conjunction with a telomerase-negative state and consequent telomere shortening, generated a reference point equivalent to (...) a non-reversible counting mechanism. (shrink)

If today a decidedly analytical interpretation of Wittgenstein’s thought seems to be dominant in many ways, there are, in my opinion, countless reasons that lead instead to reintroduce the possibility, and even the opportunity, of a different reading: a proper philosophical-aesthetic reading – where “philosophical” is equivalent to “transcendental” in the Kantian sense – which certainly seems to me more productive in theoretical terms.

Este trabajo aborda la visión arendtiana de la política, entendida como mundo humano común y mantenido en común a través del discurso. La sociedad como lenguaje se aparta de la peligrosa posibilidad de la unicidad discursiva en la vida política. La abolición de la pluralidad se encuentra en las antípodas del pensamiento de Arendt. Su telos es, más bien, contra toda figura totalitaria, la reivindicación de una política ceñida a la esencial relatividad de la doxa. El �nosotros� de la política (...) se produce así en la confluencia de perspectivas particulares. Habermas se opone par- cialmente a Arendt, pues asume que su perspectiva carece de un canon ideal que permita distinguir un falso acuerdo de un acuerdo genuino. (shrink)

Este trabajo explora la concepción de Marsilio de Padua sobre el poder dentro de una teoría ascendente de gobierno. Siguiendo la línea de la crítica medieval a la plenitudopotestatis , él propone, desde una orientación populista de su doctrina, una organización sociopolítica cuyo fundamento es la voluntas populi y la ley que de allí emana. Es así como en su obra El defensor de la paz puede encontrarse una sorprendente visión republicana de la política, donde la esfera religiosa queda absorbida (...) por la dimensión estatal. La salvación del mundo profano queda, por consiguiente, en sus propias manos, y la praxis intramundana se halla desprovista del auxilio que prestaban los viejos expedientes extracotidianos. Marsilius of Padua and emerging theories of government This paper explores the view maintained by Marsilius of Padua on power within an ascendant theory of government. Following the line of medieval criticism of plenitudo potestatis , he proposes, from a populist orientation of his doctrine, a socio-political organization founded upon the voluntas populi and the law that emanates from it. Thus, readers will be surprised to find a Republican view of politics in his work The Defender of Peace, where the State dimension absorbs the religious sphere. Salvation from the profane world is, therefore, in the State's own hands, and worldly practice is devoid of relief once provided by extraquotidian old records.  . (shrink)

En este artículo se exploran las relaciones entre finito-infinito y los límites del lenguaje posible, del lenguaje finito, para hablar de su callado fundamento. En este sentido, el mismo vaciamiento del lenguaje, expresión de una imposibilidad a la cual empero no se hurta, la de hablar de Dios, conduce a ponderar la importancia que tiene la teología negativa en el sentido de permitir al mundo humano barruntar las dimensiones del misterio que lo funda. Se tocan, de esta manera, las concepciones (...) de Maimónides y de santo Tomás acerca de la vía negativa como mecanismo parcial que afronta eso que, precisamente, desborda las fronteras del entendimiento humano. No porque Dios, en sí mismo, no sea, por decirlo con Erígena, plus quam esse, hiperesencial, sino porque en la noche cognoscitiva del lenguaje a éste no le queda sino su propia abdicación en relación al telos que lo mueve. En la desproporción existente entre el lenguaje y aquello que lo anima, aquél, el lenguaje, celebrará su propio silencio y la lejanía abismal en relación a su fundamento. Palabras clave : teología negativa; vía negativa; teología apofática; teología catafática; vía de la eminencia. Maimonides and Thomas: The Triumph of NegationIn this article I explore the finite-infinite relations and the limits of the possible language, of the finite language, in order to speak of its silent foundation. In this regard, the very emptying of language, expression of an impossibility from which it nevertheless does not hide, that of speaking of God, leads to think over the importance that negative theology has, in the sense of allowing the human world to conjecture the dimensions of the mystery on which it is founded. Thus, the conceptions of Maimonides and Saint Thomas are found to be very akin as to their regarding the negative way as a partial mechanism to deal with that which, precisely, surpasses the bounds of human understanding. Not because God in himself is not, to say it with Erigena, plus quam esse, hyperessential, but because in the cognitive night of language the latter has no choice but its own abdication with respect to the telos that animates it. In the disproportion existing between language and that which animates it, the former, language, will celebrate its own silence and the abysmal distance in relation to its foundation. Keywords: Negative theology; Negative way; Apophatic theology; Cataphatic theology; Way of eminence. (shrink)

En este trabajo se analiza la doctrina de la doble verdad del siglo XIII, atribuida al maestro de la Facultad de Artes de la Universidad de París, Sigerio de Brabante. Sin embargo, no nos detendremos a determinar si ese maestro es el autor auténtico de la duplex veritas;más bien, nuestra interpretación se centra en la importancia de tal doctrina como origen, inicio, de un complejo proceso secularizador que concluirá separando la fe de la razón, la teología de la filosofía y, (...) sociopolíticamente, el poder espiritual del poder temporal. University, Philosophy and doble truth in the XIII centuryThis paper analyzes the XIII century´s doctrine of double truth attributed to Siger of Brabant,Master of the Faculty of Arts of the University of Paris. However, we will not concentrate on determining if he was the authentic author of the duplex veritas; instead, our interpretation will focus on the importance of this doctrine as the source of a complex process of secularization that would end separating faith from reason, theology from philosophy; and the spiritual power from the temporal one, if looked from a socio-political perspective. (shrink)

BackgroundAddictive behavior of gambling, gaming and internet activity is partly a new research domain and has not been well investigated with regard to sexual minority populations. Although health disparities between sexual minorities and the general population are well documented, there is a lack of inclusion of sexual minorities in both research and clinic. Among lesbian, gay and bisexual populations certain features could be present that play a role for the development of addictive behaviors, such as social isolation and increased risk (...) of other psychiatric problems. The aim of this study was to investigate problem gambling, problem gaming and problematic internet behavior in a European context and if it is affected by sexual orientation status.MethodsAn online web-survey was distributed among web-panels in England, Poland, Switzerland, Italy, Spain, Denmark, and Sweden in 2017–2018.Result10 983 complete answers were collected. 7.1% of the participants had a sexual minority status. Regression models found that there was no difference in gambling, gaming and internet behavior among heterosexual and sexual minority men. Sexual minority women were associated with problematic gambling and gaming behavior, when also controlling for age and nationality. When also controlling for psychological distress, women defining as having another sexual minority status than lesbian and bisexual remained significant for having a problematic gaming behavior.ConclusionAn awareness of female sexual minority perspectives is relevant in facilities treating behavioral addiction as well as in future research in behavioral addiction. More research is needed in problematic gambling and gaming behavior in different sexual minority populations with regard to psychiatric comorbidity and living conditions. An inclusion of sexual minority groups defining as other than gay and bisexual is needed in future research. No significant differences were found between heterosexual and sexual minority men in adjusted analysis in this study. (shrink)

Should involuntarily childless people have the same opportunities to access parenthood as those who are not involuntarily childless? In the context of assisted reproductive technologies, affirmative answers to this question are often cashed out in terms of positive rights, including rights to third-party reproduction. In this paper, we critically explore the scope and extent to which any such right would hold up morally. Ultimately, we argue for a departure away from positive parental rights. Instead, we argue that the state has (...) an imperfect duty to benefit involuntarily childless people in relation to their parental aspirations. (shrink)

Aim of the study was to analyze the posttraumatic stress disorder risk nurses, detecting the relationship between distress experience and personality dimensions in Italian COVID-19 outbreak. A cross-sectional study was conducted based on 2 data detection. Mental evaluation was carried out in Laboratory of Clinical Psychology on n.69 nurses in range age 22–64 years old. Measurement was focused on symptoms anxiety, personality traits, peritraumatic dissociation and post-traumatic stress for all participants. No online screening was applied. Comparisons within the various demographic (...) characteristics demonstrated few significant differences between groups on DASS-21, PDEQ, and ISE-R scores. Correlation analysis was performed among PDEQ, DASS-21, BFI-10 and IES-R and confirmed between anxiety and peritraumatic dissociation and post-traumatic stress; then anxiety is positively correlated to agreeableness variable of BFI-10 test. The emotional distress was protracted overtime but in long-term personality traits resulted mediator facing subjective stress. Our finding drew details for protective and predictive risk factors as well as mental health issues of nurses dealing with pandemic: healthcare workers faced the protracted challenge caring COVID-19 patients over and over again: in short time the impact was relevant, and the prolonged exposition to the stressor was tackled by personal resources such as personality traits. (shrink)

In lieu of an abstract, here is a brief excerpt of the content: Canti VI, Bruto Minore GIACOMO LEOPARDI (Translated by Steven J. Willett) To Peter Green After Italian Valor, lying in Thracian dust an immense ruin, had been uprooted, then in the valleys of green Hesperia, on Tiber’s shore, Fate prepares the tramp of barbarian horse, and from naked forests oppressed by the freezing Bear, calls forth the Gothic swords to overthrow Rome’s renowned walls; sitting alone, soaked in (...) brothers’ blood, through black night in a desolate site, Brutus is determined to die, and the implacable gods and Hell itself he accuses with savage cries and strikes the somnambulant air in vain. Fatuous Valor, the empty mists, the fields of unquiet phantoms are your schools, and behind you strides remorse. To you, marmoreal gods, (whether you reside in Phlegethon or the clouds), to you a laughingstock and mockery is the miserable race from whom you extort temples and a fraudulent law insulting to mortals. Is heaven’s wrath, then, so provoked by terrestrial piety? and do you then sit, Jove, impiety’s protector? and when storm clouds exult through the air, and when arion 27.1 spring/summer 2019 you hurl the swift thunderbolt, do you cast the sacred fire on the just and faithful? Invincible destiny and iron necessity crush the sickly slaves of death: and if nothing avails to end their indignities, the common man takes comfort in their necessity. Is the evil without cure less harsh? Does he feel no grief who’s stripped naked of hope? War to the death, eternal, o ignoble fate, the valorous man wages, incapable of surrender; and your tyrannical right hand, victorious as it bears him down, indomitable he shrugs off with a valiant show, when in his noble side the bitter blade runs with blood, and malignly he smiles at the darkening shadows. He displeases the gods who violently breaks into Tartarus. No such courage could be found in their feeble, eternal breasts. Perhaps our torments, perhaps our bitter accidents and wretched passions heaven created as a pleasing spectacle for their idle hours? Not between calamities and crimes, but free in the forests and pure Nature appointed us, once our queen and goddess. But since on earth impious custom has destroyed the blessed realms and subjected our miserable life to other laws; when a virile soul rejects his luckless days does Nature return, and accuse the arrow that’s not hers? 166 CANTI VI, bruto minore Ignorant of guilt and their own misfortunes are the fortunate beasts; serene old age guides them to an unforeseen passage. But if they dash their foreheads on rough tree-trunks or from a mountain cliff cast bodies headlong to the winds, moved by their anguish, against that miserable desire would stand no arcane law or shadowy conception. You alone, among the numerous progeny that heaven created, alone among all, children of Prometheus, regret life. Alone o wretched ones, to you Jove bans, if sluggish fate delays, the shores of death. And you, from the sea stained by our blood, you rise bright moon, and explore the unquiet night and the deadly battlefield of Italian Valor. The victor tramples on kinsmen’s breasts, the hills shudder, from her highest summits ancient Rome collapses— and are you so placid? You saw the birth of Lavinia’s offspring, and their years of happiness, and the memorable victories; and on the mountain peaks you pour your immutable silent light when, in the wreck of the servile Italian name, this solitary place will echo beneath the barbarian tramp. Giacomo Leopardi 167 Here among naked rocks or on green boughs, beast and bird, breasts heavy with their habitual oblivion, ignore the profound ruin and the altered destiny of the world: and as the rooftop of the industrious peasant first glows red, with its morning song the one will wake the valleys, while through high slopes the other will startle the helpless multitude of smaller creatures. Oh destiny! oh insensate race! we are an abject part of things; neither the bloodstained soil nor the howling caves has our calamity ever perturbed, and no human cares stain the stars. Neither to Olympus’ or Cocytus’ deaf kings, or to the unworthy earth, and... (shrink)